Lighting Design
Currently Filled With Looks from Workshop Scenes I have done, workshop being something we do at Baylor each week to showcase new works and new ideas.
This was the first full show I designed fully independently! This is Shakespeare's the
Director: Steven Pounders
Asst Director: Caleb Howard
Scenic Designer: Paige Triplett
Tech Director: Adam Redmer
Costume Design: Lauren Brown
Photos: Jared Tseng
The first few images are of my design for musical numbers.
The first few images are of my design for musical numbers.
This is a base look from the show.
The first few images are of my design for musical numbers.
I assistant designed this show, being given a whole act to bring to life. This was a version of the show with a circus concept.
Credits:
Directed by Steven Pounders
Scenic Design: David Poynter
Costume Design: Sally Lynn Askins, Assisted by Carly Hinson
Lighting Design: JoJo Jones, Assisted by Willow Keith
Photos by Jared Tseng
Post Modern Scene
This a devised post-modern scene directed by Jared Guidry, but with the collaboration of all involved. This pulled inspiration from the ideas of Elder Wand, Juliet, Medusa and Yerma
Photos by Tess Wilson.
Started with waking up to an alarm
She realizes as she wakes up she realizes what she's done.
The actors at an impactful moment turned to listen to the poem.
Started with waking up to an alarm
This is one of the last looks before it switches directors, casts and designers
This is one of the last looks before it switches directors, casts and designers
Calvin Berger
This was a musical directed by several directors each doing part of an act, my director was Chelsea Curto.
Photos by: Stan Denman
He Who Says No
This was the first show I did lighting for, directed by Chelsea Curto.
Photos by Stan Denman
This was a warm look before they leave for the mountains.
This is a midpoint as they are on the mountain and discussing that the boy doesn't feel well
They are discussing him going off the edge because he would hold them back.
This was a warm look before they leave for the mountains.
Lights to Music
This was a class project where we used a still light plot with a cyc and two chairs to choreograph the lights to the music to the left Bitches Broken Hearts by Billy Eilish.
The two below are automated light visualizers done for a class on a GrandMA2. The first being Carnival by The Gorillaz and the next being The Kids Aren't Alright by The Offspring.